Featured Artist of
	January 13, 2021
	with 
	the song: Skinthin Attraction
	
	Artist's Biography
	
			 LIVE 
	THE LIFE OF A STAR (EB MUSIC 2006). On the new album Live the life of a 
	star, Erik Borelius creates a totally new breadth in his music with epic 
	encounters between different instruments, styles and voices. He mixes 
	beautiful, suggestive, tracks and innovative thought provoking lyrics with 
	pirouettes from his nylon strings. The acoustic guitar, which has become one 
	of Eric’s trademarks, is of course present on the new album.
LIVE 
	THE LIFE OF A STAR (EB MUSIC 2006). On the new album Live the life of a 
	star, Erik Borelius creates a totally new breadth in his music with epic 
	encounters between different instruments, styles and voices. He mixes 
	beautiful, suggestive, tracks and innovative thought provoking lyrics with 
	pirouettes from his nylon strings. The acoustic guitar, which has become one 
	of Eric’s trademarks, is of course present on the new album.
	
	It was a natural development for me to start singing, and even more so after 
	the encouraging reception of my previous album. I now feel that I have an 
	additional instrument that has helped me develop and vary myself“, Erik 
	comments.
	
	A musical journey over twenty years has meant constant development within 
	new areas for each new album. The song has become an important part of 
	Erik’s music. – It was a natural development for me to start singing, and 
	even more so after the encouraging reception of my previous album. I now 
	feel that I have an additional instrument that has helped me develop and 
	vary myself, Eric comments.
	
	BIO:
	Erik Borelius, guitar-player, singer and composer, has worked professionally 
	with music since 1986. During these 34 years he has released fourteen 
	albums, twelve through his own company and two during his time at EMI. In 
	1994 Erik received a Swedish Grammy for the album “SexTioTvå” – the best 
	instrumental album in 1993 and the first recorded under Erik’s own label EB 
	Music. The following year he was nominated with the album “Duende”. Erik’s 
	music is often described as a peculiar blend of styles and
	as a guitar player he is praised for using his outstanding technique in a 
	tasteful manner.
	
	In 1984 Erik sent a demo to EMI. After a couple of weeks he got the answer: 
	“We will produce your record!”. His happiness was complete and during the 
	time up to the recording, in the summer of 1985, he participated in Per 
	Gessle’s and Roxette’s productions.
	
	Erik invested in a studio in 1990 and began to make music for radio and 
	television alongside composing. In 1992 he decided to start a record-company 
	and release his own productions. The company was named EB Music. His own 
	record-company gives Erik the ultimate satisfaction of working with the 
	whole process; creating, arranging and producing. He knows what he wants and 
	therefore does most of the work himself. It’s not always an advantage in the 
	creative process but it gives him both challenges and satisfaction. And that 
	is what counts in the long run.
	
	“I am going to play “vo knåvs” and “chängs” (Swedish pronunciation) Erik 
	said to his music- teacher when the pupils were told to bring their 
	favourite records to the music class back in 1971. Erik was nine and the 
	real names of the songs were “Who Knows” and “Changes”, with Jimi Hendrix 
	“Band of Gypsies”. His older brother was a guitar-phantom and his mother had 
	a nylon- stringed guitar hanging on the wall in the living-room. The 
	electric guitar was an exciting, somewhat dangerous instrument and the 
	recorder was doomed in all its drabness. It would take until 1977 before 
	Erik began playing the guitar seriously. Two brothers at school, Jens and 
	Anders Johansson (Yngwie Malmsteen, Hammerfall aso and sons of the legendary 
	Swedish piano-player Jan Johansson) had heard a rumor about a skilled 
	guitar-player. Anders played the drums and Jens the organ and the trio 
	“SLIME” was formed with Erik on the guitar. Like all fifteen-year old boys 
	they sought attention. The method was raw punk-jazz rock, as technical as 
	possible, played at maximum volume, with song-titles such as “The 
	necrophilians nightmare”, “The punk boots of the kidney-dead”, “Asphalt in 
	the ear” and “Respiratory-slime”. After a year in the US Erik moved to 
	Stockholm in 1980. The acoustic guitar was increasingly calling him. The 
	clean distinct sound and the technical challenge appealed to him. Having 
	never had a single guitar lesson, a couple of years of intense training 
	followed. Whatever you do, you should do it with all your heart otherwise 
	you might as well just quit. “Life is much more fun that way”, says Erik!
	
	. 
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